This evening on our drive to the airport with our 82-year-old visitor, the writer and feminist activistÂ Alix Kates Shulman, the conversation centered on Apple computers, social media, and Spotify. Self-described as â€œindefatigable,â€ Ms. Shulman had had a busy day. After breakfasting with Cleveland friends and breezing through the Cleveland Museum of Art, she introduced the documentary Sheâ€™s Beautiful When Sheâ€™s AngryÂ (in which she appears) and answered questions afterwards. Twenty years her junior, I would have needed a nap, but Ms. Shulman showed no signs of fatigue. Then her flight back to New York was delayed,Â a setbackÂ she accepted with unruffled good humor.
Ms. Shulman is one of about a dozen second-wave feminists interviewed in the film,Â exhibited in a film program my husband curates, directed by Mary Dore, which covers the years 1966-1971 of the movement in the U.S. Others include Kate Millett, Ellen Willis, Rita Mae Brown, Eleanor Holms Norton, and Susan Brownmiller. All are lively, funny, and articulateâ€”belying the stereotype of the stodgily intense feminist. Theyâ€™re vital and passionate and still hopeful.
The film revealsÂ the immense courage of women who stood up, asked questions, wrote books, marched, and sometimes shouted. There were internal divides and occasional missteps, but the consistent message of equal pay for equal work, recognition of sexual harassment and sexual violence, equitable employment opportunities, advocacy for womenâ€™s health and for families, has largely taken hold. They imagined change, and then made it happen.
When we got home from the airport, out of nowhere I thought of a 94-year-old friend, a liberated woman in many ways, but a mom and wife who took no active part in the movements of the sixties and seventies. A few times when weâ€™re driving somewhere, sheâ€™s made comments about men pushing strollers or carrying a baby in a back-pack. It looks funny, she says. Her husband would never have done such a thing, she says.Â Her husbandâ€”a dear man and a great father, by the wayâ€”would have seemed emasculated to his own wife if he made such a small gesture toward sharing childcare as pushing a stroller.
Itâ€™s a change in the world wrought by the womenâ€™s movement, with the help of open-hearted men. Weâ€™re accustomed to seeing men taking care of their kids, at least those of us younger than 90, and though thereâ€™s still a lot of work to do, weâ€™re not going back. Women can be senators and CEOâ€™s, and men can be caregivers. The film conveys the message articulated by Andrew Oâ€™Hehir in his Salon review:Â â€œWhatever mistakes have been made along the path and however the movement has been stereotyped, the essential project of feminism has always been the project of human freedom.â€
I had to “approve” since you’re a new commenter. Yes, this is my website. Thanks so much for visiting!
Thanks again, Kathy. Now i’m just testing to see if this comment is shared or not. Is this your own website?
Yes, it’s “Memoirs of an Ex-Prom Queen,” which came out in 1972, when AKS was 40. It’s regarded as the first significant novel produced by the women’s movement.
I’ve never put it together like that, though I can easily see that it is true. How can Alix Kates Schulman be 82! Didn’t she write ‘Diary of a Prom Queen?’