
A good run of reading recently, marked especially by getting through The Count of Monte Cristo (1846) by Alexandre Dumas, all 1200 pages. Endearing Instagram blogger Chris Fizer recommended it. In fact, he recommends it in almost every post. Lots of other people do, too, so many that one could say this hefty opus is having a moment. Dumas and his collaborator, Auguste Paquet, provide action, plot twists, suspense, and surprises on nearly every page. There’s violence, I would warn you, but this is one of the most satisfying and enjoyable reads of my life.
I read The Leopard, another classic, because Ann Patchett recommended it on one of her weekly book posts and I was always intending to. Giuseppe Tomasi di Lampedusa’s single novel was published posthumously, in 1958, and deals with the downstream effects of the Risorgimento, the Italian unification effort of the 1860s. The book didn’t go as fast as the Count did, but it’s a memorable and moving. Fabrizio, the main character, is an aristocrat who is seeing his privilege and his life slipping away. Lampedusa writes gorgeous passages and gorgeous sentences. Last night I followed up by watching the 1963 Luchino Visconti film, three hours long, starring Burt Lancaster, Claudia Cardinale, and Alain Delon (available on Amazon and YouTube). Sumptuous and mostly faithful to the book, it shortchanges nuance, especially regarding the women characters. It also, understandably, cuts short the ending, which is one of the most affecting parts of the novel. Beautiful, nonetheless.
Soon to be a classic is 2025’s Raising Hare, a memoir by British writer Chloe Dalton. Finding an abandoned newborn hare on a walk near her country house, Dalton hesitantly picks it up, brings it home, and spends the next several years observing it and cherishing the experience. She goes so far as to build a little hare door on her house, and the hare (always unnamed) spends its nights outside and its days sleeping near her as she works. This is Dalton’s first book, beautifully written and a smash best-seller.
Amongst all of these, I sporadically pick up What Is the Grass: Walt Whitman in My Life (2020) by poet Mark Doty. I loved Doty’s 2007 memoir Dog Years. He appears in an excellent new documentary, Mary Oliver: Saved by the Beauty of the World (available now on PBS), where he reminded me of himself. At the same time, I’m making my way through Whitman’s “Song of Myself,” which I’ve never read all the way through. Both are gratifying and enjoyable, but not as action-packed as The Count. Sui generis.








